John Lasseter Phone number, Email Id, Fanmail, Instagram, Tiktok, and Contact Details

John Lasseter Phone Number, House Address, Email, Biography, Wiki, Whatsapp, and Contact Information

He was previously the Principal Creative Advisor for Walt Disney Imagineering, as well as the Chief Creative Officer of Pixar Animation Studios, Walt Disney Animation Studios, and Disneytoon Studios.

Lasseter began his career at The Walt Disney Company as an animator. He joined Lucasfilm after being dismissed from Disney for advocating computer animation. He worked on the then-groundbreaking usage of CGI animation. In 1986, Steve Jobs purchased the Graphics Group of Lucasfilm’s Computer Division, which created Pixar. As executive producer, Lasseter handled all of Pixar’s films and related projects. He also directed Toy Story (1995), A Bug’s Life (1998), Toy Story 2 (1999), Cars (2006), and Cars 2 (2006), among others (2011). As executive producer for Walt Disney Animation Studios (and its offshoot Disneytoon Studios) from 2006 to 2018, Lasseter handled all of the studio’s films and related projects.

He is one of the most successful directors of all time, with over $19 billion (USD) in box office receipts. Lasseter executive produced five of the eight animated films that have grossed more than $1 billion worldwide. Toy Story 3 (2010), the first animated film to gross $1 billion, Frozen (2013), the third highest-grossing animated picture of all time, Zootopia (2016), Finding Dory (2016), and Incredibles 2 (2016) are among the films included (2018).

He has received two Academy Awards, one for Best Animated Short Film (Tin Toy) and the other for Special Achievement (for Toy Story).

After admitting “mistakes” in his behaviour with employees, Lasseter announced a six-month vacation from Pixar and Disney Animation in November 2017.

Various news outlets reported that Lasseter had a history of alleged sexual misconduct against employees.In June 2018, Disney stated that he would be departing the company when his contract expired at the end of the year, but that he would continue to consult until then.Lasseter was hired as the CEO of Skydance Animation on January 9, 2019.Lasseter was born in the city of Hollywood in the state of California.

Lasseter is a fraternal twin; his sister Johanna Lasseter-Curtis is six minutes older and works as a baker in the Lake Tahoe area.

Lasseter was born and raised in Whittier, California. His fascination with animation grew as a result of his mother’s employment. During church sessions at his family’s Church of Christ[clarification needed], he frequently drew cartoons. Lasseter would rush home from school to see Chuck Jones cartoons on television when he was a kid. He read Bob Thomas’ The Art of Animation in high school.

The book examines the history of Disney animation and delves into the development of Disney’s 1959 picture Sleeping Beauty, which inspired Lasseter to pursue a career in animation. After seeing Disney’s 1963 picture The Sword in the Stone, he decided to pursue a career as an animator.  After that, he read Preston Blair’s animation book and created flipbooks based on Blair’s walk cycles. One of his pals had a Super 8 camera that could shoot single frames, and he used it to film some of his early animations.
In their eagerness to get the Where the Wild Things Are project off the ground, Lasseter and his colleagues unwittingly stomped on the toes of some of their direct supervisors. Due to a lack of perceived cost benefits for the mix of conventional and computer animation, the project was terminated while being pitched to two of Lasseter’s bosses, animation administrator Ed Hansen, and chairman of Disney studios, Ron W. Miller.

Hansen summoned Lasseter to his office a few minutes after the meeting. “Well, John, your project is now complete, thus your employment with the Disney Studios is now ended,” Hansen told him, according to Lasseter. 40 Wilhite, who worked for Disney’s live-action division and thus had no ties to the animation studio, was able to persuade Lasseter to stay on until the Wild Things test project was completed in January 1984, but only on the condition that he would not be hired again by Disney Animation. The Brave Little Toaster would subsequently be turned into a 2D animated feature film directed by one of Lasseter’s pals, Jerry Rees, and co-produced by Wilhite (who had left Pixar by that point to create Hyperion Pictures), with some of Pixar’s personnel joining him.

Lasseter had made some contacts in the computer sector while putting together a crew for the intended feature, including Alvy Ray Smith and Ed Catmull at Lucasfilm Computer Graphics Group. After being sacked and realising that his time at Disney was coming to an end soon, In November 1983, Lasseter attended a computer graphics conference at the Queen Mary in Long Beach, where he met and spoke with Catmull once more. Lasseter revealed that The Brave Little Toaster had been shelved when Catmull inquired about it.  Catmull felt Lasseter was merely between projects based on his experience at Lucasfilm, as Hollywood studios have a history of laying off staff when they don’t have enough projects to keep them busy.  Lasseter could not find the strength to tell Catmull that he had been fired because he had been driven out of the only company he had ever wanted to work for.

His mother pushed him to pursue a career in animation, and he joined in the CalArts Character Animation school, founded by Disney animators Jack Hannah and T. Hee, in 1975 as the second student (Jerry Rees being the first). Future animators and directors such as Brad Bird, John Musker, Henry Selick, Tim Burton, and Chris Buck were among his classmates. Lasseter was taught by three members of Disney’s Nine Old Men team of veteran animators—Eric Larson, Frank Thomas, and Ollie Johnston—and his classmates included future animators and directors such as Brad Bird, John Musker, Henry Selick, Tim Burton, and Chris Buck. During his tenure there, he won the student Academy Award for Animation for both Lady and the Lamp (1979) and Nitemare (1980).

During his time at CalArts, Lasseter began working for the Walt Disney Company in Anaheim, California, as a Jungle Cruise captain, where he learned the fundamentals of comedy and comic timing to entertain captive audiences on the ride.

John Lasseter Biography/Wiki


Lasseter got a job as an animator at Walt Disney Productions almost immediately after graduating in 1979, owing to his popularity with his undergraduate project, Lady and the Lamp.

To put this in context, in the late 1970s, the studio screened around 10,000 portfolios in search of potential, selecting only about 150 people as apprentices, of whom only about 45 were retained on a permanent basis. Disney animator Mel Shaw told the Los Angeles Times in the fall of 1979 that “John has an innate sense of character and movement, and he’s showing signs of blossoming at our studios… He’ll make a valuable contribution in due time.” At the same time, Lasseter was working on a Disney project called Musicana on a sequence named “The Emperor and the Nightingale” (based on Hans Christian Andersen’s The Nightingale). Musicana was never released, but it provided the inspiration for Fantasia 2000.

However, Lasseter soon saw that something was missing: following 101 Dalmatians, which he considered to be the film in which Disney had reached its pinnacle, the company had lost steam and was being chastised for frequently repeating itself without introducing any new ideas or advances.

Between 1980 and 1981, he happened upon some video cassettes from one of the then-new computer-graphics conferences, which exhibited some of the very early stages of computer animation, primarily floating spheres and the like, which he found to be a revelation. But it wasn’t until later, while working on Mickey’s Christmas Carol, that he was invited by his friends Jerry Rees and Bill Kroyer to come see the first light cycle sequences for an upcoming film called Tron, which featured state-of-the-art computer-generated imagery (CGI), that he realised the enormous potential of this new technology in animation. The studio has been using a multiplane camera to give depth to its animation up to that point. Lasseter realised that computers might be used to create films with three-dimensional backdrops, allowing traditionally animated characters to interact and provide a new level of aesthetically astounding depth not previously achievable. He was well aware that animators had long wished to add dimension to their work, dating back to Walt Disney.

Later, he and Glen Keane discussed how amazing it would be to do an animated feature with computer-generated backgrounds, and then he gave Keane the book The Brave Little Toaster by Thomas Disch, which he thought would be a suitable fit for the project. Keane agreed, but first they decided to make a short test film to see how things went, and they chose Where the Wild Things Are, based on the idea that Disney had considering making a feature based on Maurice Sendak’s writings. Satisfied with the outcome, Lasseter, Keane, and executive Thomas L. Wilhite continued working on the project, with Lasseter devoting himself to it, while Keane went on to work on The Great Mouse Detective.

Catmull called Smith later that day to inform him that Lasseter was no longer employed at Disney. Catmull was urged by Smith to put the phone down and hire Lasseter straight now.  Lasseter agreed to work freelance with Catmull and his colleagues on a project that culminated in their first computer animated short, The Adventures of André & Wally B., during a week in December 1983. Catmull was given the title “Interface Designer” since he was not authorised to hire animators. “No one knew what that was, but it wasn’t brought up in budget discussions.” In the spring of 1984, Lasseter spent a lot of time at Lucasfilm.

Lasseter learned how to operate some of their software and then passed on his knowledge of filmmaking, animation, and art to the computer scientists. The short turned out to be far more groundbreaking than Lasseter had anticipated when he originally arrived at Lucasfilm. His original plan was to use computers exclusively for the backdrops, but in the end, the entire short was computer animated, including the characters.

Lasseter returned to Los Angeles after the short CGI film was shown at SIGGRAPH in the summer of 1984, hoping to direct The Brave Little Toaster for Hyperion Pictures.

He learnt that funding had fallen through shortly after and informed Catmull of the terrible news. Lasseter joined Lucasfilm as a full-time employee in October 1984 and relocated to the Bay Area after receiving a job offer from Catmull. He next worked with ILM on the special effects for Young Sherlock Holmes, where he created the first entirely computer-generated photorealistic animated character, a knight formed from of stained glass window parts.

Toy Story (1995), the first-ever computer-animated feature film, was the result of Lasseter and Catmull’s partnership, which has lasted over thirty years.

Due to George Lucas’s financially crushing divorce, he was forced to sell out Lucasfilm Computer Graphics, which had been formed by Smith and Catmull with Lasseter as one of the founding employees, and was now called the Pixar Graphics Group.

Popular As John Lasseter
Occupation Film Director
Age 64 years old
Zodiac Sign Capricorn
Born 12 January 1957
Birthday 12 January
Town/City Hollywood, Los Angeles, California
Country United States
Nationality American

According to, He is one of the prominent Film Director. He has come into the list of those popular people who were born on  12 January 1957. He is one of the most Richest Film Director who was born in America. He is one of the popular Film Director in our database at the age of 64 years old.

John Lasseter Physical Stats & Body Measurements

Not Much Known About his Body Measurements.

John Lasseter Girlfriend or Dating Life

Spouse: Nancy Lasseter (m. 1988)

John Lasseter  Family Information

Children: Sam Lasseter, Bennett Lasseter, Joey Lasseter, Paul James Lasseter, Jackson Lasseter

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John Lasseter Fanmail Address

John Lasseter
Hollywood, Los Angeles, California, United States

John Lasseter Income

The actual income of growing continuously in 2020-21. So, how much is the income of John Lasseter ? What is Film Director John Lasseter earnings per year, and how affluent is he at the age of Sixty Four? We approximate John Lasseter net income, cash, worth as per in 2020-21 given below:

John Lasseter ESTIMATED NET INCOME: $ 19 Million Dollars 

John Lasseter is an admirable Film Director with a net income of $19 million at the age of Sixty Four. The source of money seems to be mostly from being such a famous Film Director. He’s from the United States.

John Lasseter Personal Profile:

  • Name: John Lasseter
  • Date of Birth:12 January 1957
  • Age: 64 years
  • Birth Sign: Capricorn
  • Nationality: American
  • Birth Place/City: Hollywood, Los Angeles, California, United States
  • Girlfriend- N/A
  • Profession: Film Director

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John Lasseter Contact Details


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