John Carpenter Phone number, Email Id, Fanmail, Instagram, Tiktok, and Contact Details

John Carpenter Phone Number, House Address, Email, Biography, Wiki, Whatsapp, and Contact Information

John Howard Carpenter is an American director, actor, and composer who was born on January 16, 1948. Carpenter worked in a variety of cinema genres, but is best known for his work in horror, action, and science fiction films from the 1970s and 1980s. Carpenter is widely regarded as one of the finest horror film directors of all time.  Carpenter received the Golden Coach Award from the French Directors’ Guild at the 2019 Cannes Film Festival, hailing him as “a creative genius of raw, magnificent, and spectacular emotions.”

With the noteworthy exceptions of Halloween (1978), The Fog (1980), Escape from New York (1981), and Starman (1982), Carpenter’s films were initially commercial and critical disasters (1984). Carpenter’s works from the 1970s and 1980s, on the other hand, have become cult classics, and he has been recognised as a significant filmmaker.

Mouth of Madness (1988) are among Carpenter’s cult favourites (1995). For the horror sequel Halloween, he returns to the franchise as both composer and executive producer (2018).

Carpenter wrote or co-wrote the majority of the music for his films. For the film Vampires, he received a Saturn Award for Best Music (1998). Lost Themes (2015), Lost Themes II (2016), Anthology: Movie Themes 1974–1998 (2017), and Lost Themes III: Alive After Death (2017) are Carpenter’s four studio albums (2021).

Carpenter was born in Carthage, New York, on January 16, 1948, to Milton Jean (née Carter) and music professor Howard Ralph Carpenter.

In 1953, he and his family moved to Bowling Green, Kentucky. From an early age, he was fascinated by movies, particularly Howard Hawks and John Ford’s westerns, as well as 1950s low-budget horror films like The Thing from Another World

He attended Western Kentucky University, where his father was the chair of the music department, before transferring to the University of Southern California’s School of Cinematic Arts in 1968, where he eventually dropped out to make his first feature film.
Carpenter created and directed Captain Voyeur, an 8-minute short film, in a beginning film class at USC Cinema in 1969. In 2011, the video was uncovered in the USC archives, and it proved to be fascinating because it highlighted aspects that would later emerge in his later picture, Halloween (1978).

The next year, he worked on The Resurrection of Broncho Billy (1970), which received an Academy Award for Best Live Action Short Film, as a co-writer, film editor, and soundtrack composer alongside producer John Longenecker. The short film was extended to 35 mm, sixty prints were manufactured, and Universal Studios released it theatrically in the United States and Canada for two years. Dark Star (1974), Carpenter’s first major film as a director, was a science-fiction comedy that he co-wrote with Dan O’Bannon (who later went on to write Alien, borrowing freely from much of Dark Star). Carpenter did the musical score as well as the writing, producing, and directing, while O’Bannon acted in the film and did the special effects.

Carpenter did the musical score as well as the writing, producing, and directing, while O’Bannon acted in the film and did the special effects (which caught the attention of George Lucas who hired him to work with the special effects for the film Star Wars). Carpenter was praised for his ability to make films on a shoestring budget.

Assault on Precinct 13 (1976) was Carpenter’s next picture, a low-budget thriller influenced by Howard Hawks’ films, particularly Rio Bravo. Carpenter, like Dark Star, was in charge of many aspects of the film’s production. Under the alias “John T. Chance” (the name of John Wayne’s character in Rio Bravo), he not only wrote, directed, and composed the film, but also edited it. Carpenter has stated that Assault on Precinct 13 was his first true feature film because it was the first one he shot on a schedule. Carpenter’s first collaboration with Debra Hill, who was instrumental in the creation of many of Carpenter’s most important films, was for this film.

Carpenter gathered a major cast that included a mix of well-known and lesser-known actors. Austin Stoker, who had previously acted in science fiction, disaster, and blaxploitation films, and Darwin Joston, who had largely worked for television and had once been Carpenter’s next-door neighbour, were the two key performers.

In the United States, the picture has been reassessed and is now widely recognised as one of the best exploitation films of the 1970s.

The Lauren Hutton thriller Someone’s Watching Me! was written and directed by Carpenter. This television drama tells the storey of a single working lady who realises she is being stalked soon after arriving in Los Angeles.

Irvin Kershner’s 1978 thriller Eyes of Laura Mars, starring Faye Dunaway and Tommy Lee Jones and directed by Irvin Kershner, was developed (in cooperation with David Zelag Goodman) from Carpenter’s spec storey Eyes. It was Carpenter’s first major studio film.

Halloween (1978) was a box office hit that aided in the development of the slasher genre. Carpenter produced a narrative based on an idea offered by producer Irwin Yablans (named The Babysitter Murders), who imagined a film about babysitters being stalked by a stalker. Carpenter adopted the premise and added another proposal from Yablans, that it take place during Halloween.  The main notion, according to Carpenter, is as follows: “The night of Halloween. It has never been a film’s central focus. My plan was to remake an old haunted home movie.”

Carpenter had contacted film director Bob Clark for his own ideas for a sequel to his 1974 film Black Christmas (written by Roy Moore), which portrayed an unseen and motiveless killer murdering students at a university sorority house, according to an interview released in 2005. Carpenter personally asked Clark about his opinions on establishing the nameless slasher in Black Christmas, as reported in the 2009 documentary Clarkworld (produced and directed by Clark’s former production designer Deren Abram after Clark’s untimely death in 2007).

I started a picture with John Carpenter about three years later, it was his first film for Warner Bros. (who had bought up ‘Black Christmas’), and he asked whether I was ever going to do a sequel, and I said never. I’d had enough of horror; I didn’t get into the business to do nothing but horror.  I predicted that it would be the next year, and that the man would have been apprehended, escaped from a mental institution, returned to the house, and they would begin the process all over again. And I’d name it ‘Halloween.’ The truth is that John did not duplicate ‘Black Christmas,’ but rather produced a storey, directed it, and cast it. ‘Halloween’ is his film, and the script was already titled when he received it. John Carpenter may have been influenced by ‘Black Christmas,’ but he did not replicate the concept. Although fifteen other individuals had considered making a film called ‘Halloween,’ John received the script with that title on it. — 2005, Bob Clark Carpenter and Debra Hill wrote the screenplay, with Carpenter acknowledging that Dario Argento’s Suspiria (which also impacted the film’s slightly surreal colour scheme) and William Friedkin’s The Exorcist influenced the music.

Carpenter was working with a $300,000 budget once again. The film debuted with a box office gross of over $65 million, making it one of the most successful independent films of all time.Halloween, according to Carpenter, is: “Exploitation at its most heinous. I chose to make a picture that I would have loved to see as a kid, full of cheap tricks like a haunted house at a fair where objects spring out at you as you walk down the corridor.”  Although Carpenter has stated that this was not his intention, the film has been cited[by whom?] as an allegory on the merits of sexual purity and the dangers of casual sex: “It’s been alleged that I was trying to make a moral point. I assure you, I am not. I saw the characters as ordinary teenagers at Halloween.”

Carpenter’s self-composed “Halloween Theme” became known even outside of the picture, thanks to its critical and economic success.

John Carpenter Biography/Wiki


Carpenter followed up the success of Halloween with The Fog (1980), a ghostly vengeance storey (co-written by Hill) inspired by horror comics like Tales from the Crypt and the 1958 film The Crawling Eye, which featured monsters hidden in clouds.

Carpenter had a particularly tough time finishing The Fog. He was displeased with the outcome after seeing a rough edit of the picture. He had to discover a means to rescue a nearly finished film that did not satisfy his standards for the first and only time in his filmmaking career. Carpenter shot additional footage, including a number of new scenes, in attempt to make the film more logical and terrifying.

Despite production issues and generally poor critical reviews, Carpenter’s film The Fog was a commercial triumph. The film was made on a $1 million budget[23], although it grossed more than $21 million in the United States alone. Carpenter has stated that The Fog is not his favourite film, but it is a “little horror classic” in his opinion.

Carpenter promptly followed The Fog with Escape from New York, a science-fiction adventure (1981). It starred several actors with whom Carpenter had previously collaborated (Kurt Russell, Donald Pleasence, Adrienne Barbeau, Tom Atkins, Charles Cyphers, and Frank Doubleday), as well as several notable actors (Lee Van Cleef and Ernest Borgnine), and was both commercially and critically successful (grossing more than $25 million) (with an 85 percent on Rotten Tomatoes).

The Thing (1982), his next film, is notable for its high production values, which include innovative special effects by Rob Bottin, special visual effects by matte artist Albert Whitlock, an Ennio Morricone score, and a cast that includes Russell as well as well-known character actors like Wilford Brimley, Richard Dysart, Charles Hallahan, Keith David, and Richard Masur. Universal Pictures released The Thing. Despite the fact that Carpenter’s film is based on the same source material as Howard Hawks’ 1951 feature The Thing from Another World, it is more accurate to the John W. Campbell, Jr. novella Who Goes There? In addition, unlike the Hawks film, The Thing was part of Carpenter’s “Apocalypse Trilogy,” a trio of films (The Thing, Prince of Darkness, and In the Mouth of Madness) that featured gloomy endings for the characters.

Because it was a gory, sinister horror film, it did not appeal to moviegoers during the summer of 1982, especially since E.T. the Extra-Terrestrial, which depicted extraterrestrial visitation in a much more lighter and family-friendly manner, had just been released two weeks before. Carpenter remarked in an interview that the film’s distribution could have been a major factor in its failure.  Carpenter’s first financial setback came as a result of The Thing’s poor box office performance. During the production of The Thing, Universal offered him the opportunity to direct Firestarter, a picture based on Stephen King’s novel. Carpenter enlisted the help of Bill Lancaster and Bill Phillips to adapt the storey into two distinct screenplays. Carpenter intended Richard Dreyfuss to play Andy McGee, but Universal replaced Carpenter with Mark L. Lester when The Thing failed to make money.Christine, Carpenter’s next film, was a 1983 adaptation of Stephen King’s novel of the same name.

Cunningham gets unnaturally infatuated with the car as he restores and rebuilds it, which has disastrous implications. Christine did well in theatres and was highly regarded by reviewers, but Carpenter has been reported as claiming that he directed the film because it was the only option available to him at the time.

Michael Douglas produced Starman (1984), and the script was warmly accepted by Columbia Pictures, who chose it over the script for E.T., prompting Steven Spielberg to go to Universal Pictures. Because of Carpenter’s reputation as an action director who could also portray great emotion, Douglas chose him to direct the film. The Los Angeles Times, New York Times, and LA Weekly all gave Starman positive reviews, and Carpenter described it as a romantic comedy in the vein of It Happened One Night, but with a space alien.  For Jeff Bridges’ depiction as Starman, the film got Oscar and Golden Globe nods, as well as a Golden Globe nomination for Jack Nitzsche’s Best Musical Score.

Ilya Salkind, the executive producer of the Superman film series, approached Carpenter after seeing footage of Starman and offered him the chance to direct the newest Alexander–Ilya Salkind fantasy epic Santa Claus: The Movie. Salkind made the offer to Carpenter during lunch at The Ritz, and while he was excited at the prospect of breaking from his usual routine and directing a children’s fantasy film, he asked for 24 hours to consider it. The next day, he drafted a list of demands if he were to direct the film: complete creative control, the right to assume scriptwriting duties, the ability to co-compose the film’s musical score, total editorial control, the casting of Brian Dennehy as Santa Claus, and a $5 million signing-on fee (the same as the film’s star, Dudley Moore). Salkind backed out of his offer to direct.

Carpenter struggled to get films funded after the financial disaster of his big-budget action comedy Big Trouble in Little China (1986). He returned to directing low-budget films like Prince of Darkness (1987), which was inspired by the BBC programme Quatermass. He never again fulfilled mass-market promise, despite the fact that some of his films from this period, such as They Live (1988), did earn a cult following.

Popular As John Carpenter
Occupation Film Maker
Age 73 years old
Zodiac Sign Aquarius
Born 16 January 1948
Birthday 16 January
Town/City Carthage, New York
Country United States
Nationality American

According to, He is one of the prominent Film Maker. He has come into the list of those popular people who were born on  16 January 1948. He is one of the most Richest  Film Maker who was born in America. He is one of the popular Film Maker in our database at the age of 73 years old.

John Carpenter Physical Stats & Body Measurements

Not Much Known About his Body Measurements.

John Carpenter Girlfriend or Dating Life

Spouse: Sandy King (m. 1990), Adrienne Barbeau (m. 1979–1984)

John Carpenter Family Information

Children: Cody Carpenter,Parents: Howard Ralph Carpenter, Milton Jean Carter

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John Carpenter Fanmail Address

John Carpenter
Carthage, New York, United States

John Carpenter Income

The actual income of growing continuously in 2020-21. So, how much is the income of John Carpenter? What is Film Maker John Carpenter earnings per year, and how affluent is he at the age of Seventy three? We approximate John Carpenter net income, cash, worth as per in 2020-21 given below:

John Carpenter ESTIMATED NET INCOME: $40Million Dollars 

John Carpenter is an admirable Film Maker with a net income of $40million at the age of Seventy three. The source of money seems to be mostly from being such a famous Film Maker. He’s from the United States.

John Carpenter Personal Profile:

  • Name: John Carpenter
  • Date of Birth:16 January 1948
  • Age: 73 years
  • Birth Sign: Aquarius
  • Nationality: American
  • Birth Place/City:Carthage, New York, United States
  • Girlfriend- N/A
  • Profession: Film Maker

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John Carpenter Contact Details


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