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the Beach Boys, an American rock band whose dulcet tunes and unusual vocal harmonies typified the sun-drenched southern California teenage paradise of the 1960s. Brian Wilson (born June 20, 1942, in Inglewood, California—died December 28, 1983, in Marina del Rey, California), Dennis Wilson (born December 4, 1944, in Inglewood—died December 28, 1983, in Marina del Rey, California), Carl Wilson (born December 21, 1946, in Los Angeles, California—died February 6, 1998, in Los Angeles), Michael Love (born March 15, 1941, in Los Angeles), and Alan Jardine were the original members (b. September 3, 1942, Lima, Ohio). David Marks (b. August 22, 1948, Newcastle, Pennsylvania) and Bruce Johnston were notable later members (original name Benjamin Baldwin; b. June 27, 1942, Peoria, Illinois).
Initially regarded as a formidable pop act—celebrities of the Los Angeles Basin’s surfing and hot rod culture during the 1960s—the Beach Boys and lead singer-bassist-producer Brian Wilson acquired an increased reputation as an inspiration for post-1945 American suburban anguish. Despite their 70 million record sales, their greatest accomplishment was their ability to articulate the bittersweet middle-class ambitions of individuals who took part in America’s great internal westward drive in the 1920s. The Beach Boys celebrated the promise of a precarious California dream that their parents had fought to maintain.
The Wilson brothers were inspired to pursue music by their parents while growing up in suburban Los Angeles (Hawthorne). Murry, their father, had a small machines business and was also a composer. Brian, drummer Dennis, and guitarist Carl formed a band with cousin Love and pals Jardine and Marks to create and play pop songs in the vein of Chuck Berry and the harmonies-driven Four Freshmen and Four Preps when they were still teens.
Dennis, a beginner surfer and teenage fixture on the Manhattan Beach surfing scene, coerced Brian and the rest of the group (then known as the Pendletons) into penning songs extolling the new sport. The Beach Boys’ debut record, “Surfin’,” had regional popularity in 1961, and led to their signing as Capitol Records’ first rock group in 1962. Brian’s dormant aspirations as a pop composer were reawakened; for years, he wrote almost all of the group’s songs, usually in collaboration with others (most frequently Love).
The Beach Boys quickly charted in the United States with songs like “409” and “Surfin’ Safari,” while their first album peaked at number 14. Following the financial success of the follow-up album and single, “Surfin’ United States of America,” in 1963 (the year Jardine returned from school and replaced Marks), Brian acquired entire creative control. Their subsequent album, Surfer Girl, established a precedent for the hitherto unheard-of studio liberty he was granted by Capitol as a composer, arranger, and producer.
The title tune, reminiscent of the Four Freshmen but really inspired by Walt Disney’s 1940 film Pinocchio’s song “When You Wish Upon a Star,” combines a youthful desire with sophisticated pop poignancy. As with his favorite, pioneering producer Phil Spector, the quirky Brian had an uncanny ability to combine varied compositions with sharply vivid rock force.
Brian departed from touring in 1964 after the first of a series of stress- and drug-related breakdowns. He was replaced initially by singer-guitarist Glen Campbell, and subsequently by experienced surf singer-musician Johnston. Brian then concentrated on the Beach Boys’ studio output, outperforming all of his predecessors with his band’s magnum opus, Pet Sounds (1966).
Pet Sounds, a melancholy pastiche of songs about the pains of unrequited love and other coming-of-age experiences, was credited by Paul McCartney as inspiring the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band (1967). Brian quickly eclipsed himself once again with “Good Vibrations,” a breathtakingly prismatic “pocket symphony” that hit number one in October 1966.
His faith was shaken, however, when an even more audacious concept dubbed Dumb Angel, then Smile, failed to make its December 1966 completion deadline. Brian withdrew into solitude, exhausted and dejected, while the rest of the band pieced together the remnants of the failed record into a tuneful but tentative release named Smiley Smile (1967).
The Beach Boys continued to release recordings with growing commercial and musical inconsistency throughout the rest of the decade. They left Capitol in 1970 after a court struggle over back royalties. Brian became a hermit after the magnificent Sunflower failed to sell well, dabbling with hallucinogens and toiling intermittently while the rest of the group released three great but modestly selling albums in the early 1970s.
Meanwhile, in 1974, Endless Summer, a greatest hits collection, debuted at number one on the charts. In 1976, the still-drug-addled Brian resurfaced with an imperfect but financially successful album, 15 Big Ones. Dennis released Pacific Ocean Blue, a highly praised solo album, in 1977. Despite personal hardship, when Dennis perished in 1983, the reformed Beach Boys seemed to be on the verge of a new creative zenith.
The Beach Boys, a great album, was published in 1985. Brian released a highly praised self-titled solo album in 1988, while the other Beach Boys had chart success with “Kokomo” and were inducted into the Rock and Roll Hall of Fame. The Beach Boys continued to tour and record throughout the 1990s, with Love maintaining his long-standing position as the band’s business manager.
Brian followed up with another solo album (Imagination), as well as collaborations with Van Dyke Parks (Orange Crate Art) and his daughters Carnie and Wendy (The Wilsons), all of whom became accomplished artists in their own right. Carl, who was widely regarded as the group’s creative anchor during the chaotic 1970s and 1980s, died in 1998 of cancer. Later the same year, the Beach Boys released Endless Harmony, a compilation of rarities chosen from the group’s renowned television documentary.
Brian released his fourth studio album, Gettin’ in Over My Head, in 2004. The album has collaborations from McCartney, Eric Clapton, and Elton John. However, the seminal work of this time in Brian’s career was Smile (2004), which was ultimately released as a full solo album in 2004 after Brian spent almost four decades perfecting its sound; a boxed set of the original Smile recording sessions followed in 2011.
Brian released That Lucky Old Sun (2008), a sentimental ode to southern California created in partnership with Scott Bennett and Parks, after his 2007 Kennedy Center Honor. In 2012, a year after the Beach Boys celebrated their 50th anniversary of creation, the band’s principal surviving members reunited for a commemorative tour.
The performances took place in conjunction with the release of That’s Why God Made the Radio, the group’s first album of original material in two decades. The Beach Boys Live: The 50th Anniversary Tour was published on two discs in 2013. Brian Wilson released his solo album No Pier Pressure in 2015, followed by the performance recording Brian Wilson and Friends the following year.
|Origin||Hawthorne, California, U.S|
Rock, Dance/Electronic, Pop
|Labels||Candix; Capitol; Brother; Reprise; Caribou; CBS|
|Associated acts||California Music; Kenny & the Cadets; The Flames|
The Beach Boys Fanmail Address:
The Beach Boys
Jay Jones Music
3000 Hillsboro Pike
Nashville, TN 37215
The Beach Boys Contact Details
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